What Just Happened?
Walking into Cosmopolis, this writer had no idea what the latest movie from director David Cronenberg was about. Walking out of Cosmopolis 108 minutes later, this writer still had no idea what the latest movie from director David Cronenberg was about. Was it really happening? Was it just a dream? Were all of these characters real? Is Robert Pattinson acting like that at his director’s instruction, or is he just a bad actor? The movie doesn’t really explain anything, leaving that up to the audience. Some may buy into it, but this writer did not.
Growing Up Green
Real-life mom Jennifer Garner seems to have trouble having babies of her own in the movies, always looking for alternative options. In 2007, she convincingly played a woman looking to adopt a child in Juno and now she takes an alternative approach: growing a child in the garden. The Odd Life of Timothy Green starts off well with that original idea, but unfortunately, it fails to really go anywhere from there.
Will vs. Zach
Will vs. Zach. No last names were required in the promotional material for The Campaign, a political farce starring two of today’s most popular comic actors. Their names perhaps overshadow a key figure in the movie’s production, that being director Jay Roach. Having directed both comedy (Austin Powers & Meet the Parents) and political drama (Recount & Game Change), Roach is the perfect director to spoof political campaigns. The final product leans more towards outrageous comedy than political satire, but that’s okay. After all, it’s got Will and Zach.
New Bourne is a Talker
The original Bourne trilogy starring Matt Damon stands alone as one of the better trilogies in movie history. Now, writer/director Tony Gilroy, the screenwriter of that original trilogy, introduces a new protagonist in The Bourne Legacy, which lives somewhere between sequel and spin-off. Jeremy Renner is the new protagonist, but unfortunately he was not given nearly as much to work with as his predecessor.
In 2010, director Rodrigo Cortes created a claustrophobic thriller of Hitchcockian proportions with Buried, a movie that earned itself a share of this writer’s year-end top ten list. With his new film, Red Lights, Cortes stays within the framework of the thriller genre, but goes beyond the coffin to examine the subject of paranormal science. The movie attempts to do the same for its subject as Christopher Nolan’s The Prestige did for magic, but unfortunately Red Lights falls way short of that superior movie.