Michael Bay Goes Low(ish)-Budget
After exploding and demolishing everything he could over the past six years with his Transformers films, director Michael Bay decided to scale it back some. The result is Pain & Gain, a low-budget—by Bay’s standards—black comedy based on an outlandish true crime story, which proves that Bay can still tell a story with human characters and not just robots. Well, human may be somewhat of a stretch. The three main characters of Pain & Gain are members of the human race, for sure, but they are so far out there it is hard to imagine them being based on real people.
Based on his own graphic novel, director Joseph Kosinski’s new movie Oblivion is, by all accounts, a post-apocalyptic tale. But just watching the trailer for the movie one can easily find one obvious difference between it and other movies dealing with life after an apocalyptic event: it’s bright! Usually these movies are dark, taking place under a scorched sky as gray as the ash that is constantly falling. That is not the case in Oblivion and you might not even know that a devastating event had taken place were it not for the now mostly buried New York landmarks sticking out of the desert floor.
A Number Deservedly Retired
It’s been nearly 66 years to the day that Jackie Robinson first stepped onto the field as a Brooklyn Dodger, breaking major league baseball’s color barrier, so it’s fair to say that 42 is a movie that is long overdue. It is only the second big screen movie about the life of the only man whose jersey number is retired across all of major league baseball and the first since 1950, when the hall-of-famer was still young enough to star as himself. The film is a relatively safe biography, but a loving salute to a man who faced more adversity in one year than most of us will face in our lifetimes.
Dissecting The Shining
Watching Room 237 is like listening to the late night radio talk shows where listeners call in with outlandish conspiracy theories that at first sound ridiculous, only to progressively make more sense the longer you listen. The movie that is called a documentary, but isn’t really, dissects legendary director Stanley Kubrick’s 1980 horror movie The Shining from the perspective of five or six unseen narrators who have seemingly spent their entire lives pouring over the movie looking for hidden meaning. The result is a fascinating analysis of a movie that definitely appears to be more than it seems.