Her Side of the Story
The 1959 animated version of Sleeping Beauty is one of Disney’s most successful and memorable hits. Their new live-action version, however, opens with a narration that essentially just tells you to disregard that entire movie. It’s misleading, the narration tells us, and then we are whisked back in time and introduced into the younger version of that film’s menacing villain, who will be the protagonist in Maleficent. Now, we will get to see her side of the story; for better or worse. Perhaps Disney will do better with its upcoming live-action remake of Cinderella.
Bringing Together Young and Old
Many thought that the original X-Men series had run its course after 2006’s X-Men: The Last Stand. Five years after that film, the series was supposedly rebooted with X-Men: First Class, which took place in the 1960s and introduced the younger versions of many of the main characters. It was an interesting new direction and an opportunity to tie the X-Men franchise in with real-life events, such as the Cuban Missile Crisis. Instead of creating a direct sequel to First Class, however, director Bryan Singer returned to the franchise and creates X-Men: Days of Future Past, which manages to feature the casts of both the reboot and the original films.
King of the Monsters, Indeed
As movie monsters go, there is one that stands out above the rest. After first appearing in the allegorical Japanese film Gojira in 1954, the character that became known as Godzilla has appeared in over thirty movies. Most of these movies have been Japanese products and for good reason: when Hollywood attempted to make a Godzilla movie in 1998, it was a laughable disaster. Under the theory that if at first you don’t succeed, try, try again, Hollywood is back with another stab at the legendary movie monster. Does this Godzilla have what it takes to succeed? The answer is a resounding yes.
Agent of Distraction
Following their success with Remember the Titans in 2000, Disney began releasing based-on-true-events inspirational sports dramas every couple of years. For the most part, these movies have been consistently entertaining and successful with Titans and Miracle being arguably the cream of the crop. As entertaining as they are, however, by following virtually the same formula with every movie, they are feeling less and less fresh with each new outing. That is very apparent in their latest film, Million Dollar Arm, a moderately entertaining effort that hits a little too many clichés on its way around the bases.
It is one of the greatest challenges an actor can undertake: carrying a movie completely by themselves. It is something Ryan Reynolds did in Buried and, for the most part, Tom Hanks and James Franco did in Castaway and 127 Hours, respectively. In Locke, that challenge falls to the talented Tom Hardy, who plays the entire movie in the front seat of a car with the film’s other actors only participating as voices on a cell phone.