An Action Extravaganza
Prior to the release of Joss Whedon’s The Avengers in 2012, there was some skepticism as to whether a comic book adventure featuring a team up of so many different superheroes could actually work. No one had ever really attempted such a project before and some of the biggest complaints about previous superhero films that failed were that they tried too hard to shoehorn multiple characters into one movie. Just think about Spider-Man 3. Whedon pulled it off, though, and The Avengers became a Hulk-sized smash. As a result, its sequel, Avengers: Age of Ultron, hasn’t faced much skepticism, but it has been challenged with some ridiculously high expectations.
The thing about a fantasy is that it is by definition unreal and fantastic; it doesn’t need to be grounded in reality. The Age of Adaline is a romantic fantasy about a woman who does not age, and the potential is there for it to be a classic movie fantasy—the kind of movie that allows the audience to escape from the restrictions of reality and just get swept away in the story and its characters. Unfortunately, even while providing us with some magical visuals, the creators of the movie keep trying to ground their movie in reality, making it difficult for the audience to willing suspend their disbelief.
A Fistful of Old Testament Justice
Make no mistake: there are no Christ figures in Leone’s Westerns. Mercy is as out of place in his landscape as Leone’s dusters. So this truth you will not find in Leone’s vision: God is found not merely in the satisfaction of retribution via human agents; he is also there in the desert, between oases, calling us to sit and dwell in the silence and wait not for an explosion but a still, small voice. As humans, we want justice, and we want it now, served our way. Leone’s films are visions for December 8 or September 12.
Let the Young Ones In
In director Noah Baumbach’s latest, While We’re Young, Ben Stiller and Naomi Watts play a 40-something married couple stuck in something of a rut. After a couple of failed pregnancies, they are both pretty sure that they will be able to be happy without having kids, but this perception gets more and more challenged as their friends start having children and drifting away. Stiller’s Josh is a documentary filmmaker who is currently in his tenth year working on the same project, so he’s also in a professional rut. They need something new injected into their lives. Enter Jamie and Darby.
In 1971, folk singer Steve Tilston gave an interview in which he discussed his fears that wealth and fame might negatively affect his songwriting. The article was read by none other than John Lennon, who was inspired to write a letter to the then 21-year-old singer offering words of advice. In 2010, Tilston finally received the letter. That true story served as the inspiration for the new movie Danny Collins, the directorial debut of screenwriter Dan Fogelman.
Grown-Up Kids with Life-Sized Hot Wheels
The Fast and the Furious franchise has been around since 2001, but it really came into its own with the fourth installment in 2009. For that movie, the filmmakers threw out any attempts to keep the movies grounded in reality and just went for it with ridiculous stunts that defied all physics. The action scenes are so extreme they feel like they were written in the minds of young kids while racing their hot wheels around the house. Each of the two movies released since then have gone out of their way to try and outdo their predecessors and the latest installment, Furious 7, tries to do the same… and in many ways it succeeds.