Archive for April, 2017

The Lost City of Z
Percival of Bolivia

With so much of today’s cinematic efforts being put towards fictional superheroes, there seem to be fewer and fewer movies made about real human heroes from history. Now, there would be those who might balk at calling soldier-turned-explorer Percy Fawcett a hero—after all, his belief that he had found the remains of the lost city of El Dorado was met mostly with ridicule until recently—but his story is an important one in history and has served as an inspiration for many. With Fawcett being something of a real-life Indiana Jones, it is also a story that seemed destined to be a movie and that movie has now arrived in the form of The Lost City of Z.


Free Fire
Welcome to the Ricochet Party

Action movies set in singular locations have been popular since Die Hard established the framework for it back in 1988. Since then, there have been dozens movies that could be described as “Die Hard on a (fill in the blank).” Popular examples include “Die Hard on a boat” (Under Siege) and “Die Hard on a bus” (Speed). The new action comedy Free Fire also takes place in one location, but this time it would be difficult to compare it to Die Hard, because there is no one worth rooting for this time around. Just a lot of criminals with a lot of guns in a confined space.


The Fate of the Furious
Are You Not Entertained?

To attempt to write a critical review of a Fast and the Furious movie is something of a fool’s errand. Perhaps there is no more critic-proof franchise in the history of movies. Like Russell Crowe yelling out in Gladiator, the only real way to judge these movies is to ask, “Are you not entertained?” And they are often very successful at being that. A franchise that seemed to have run its course after the first three movies suddenly found new life with the fourth entry and has since continued to get bigger and louder with each entry trying to outdo the last when it comes to large, elaborate, and unbelievable action-set pieces, while at the same time focusing on the bond of its central “family.” The latest entry, The Fate of the Furious, does all of that, but by this point the formula is really beginning to feel as if it has run its course.