Woody Allen Light
Director Marc Webb had a big hit with his first feature, 2009’s (500) Days of Summer, and like most young directors these days who have a big hit right out of the gate, he was offered the keys to a blockbuster franchise. But the Amazing Spider-Man films felt more like studio projects than they did a vision of their director and so it is nice that in 2017, Webb returns to smaller projects with not one, but two new films. The first was the charming, heartstring-puller Gifted, released earlier this year and the second is The Only Living Boy in New York, a Woody Allen-esque, New York City-based drama.
A Snowy Mystery
Coming off back-to-back critical successes as a screenwriter with Sicario and Hell or High Water, Taylor Sheridan has earned the opportunity to direct that he gets with Wind River. The film is not Sheridan’s first directorial effort—that would be 2011’s low-budget horror flick Vile—but it his first with a halfway decent budget and a couple of prominent actors in the lead roles (two Avengers, no less). The resulting film, like Hell or High Water, is a compelling story about a part of the American landscape that has been all but forgotten by those outside of it.
Not the Epic You’re Looking For
For decades, the novels and short stories of author Stephen King have been adapted into dozens of movies, miniseries, and television shows, but the one saga that his fans have perhaps most been clamoring for is a big budget adaptation of King’s The Dark Tower series. Considered by many to be the author’s magnum opus, it is an epic eight-book fantasy series that tells its own story, while also bringing in many of King’s other properties into one giant shared universe. The film project has started and stalled multiple times over the years, but finally director Nikolaj Arcel is bringing The Dark Tower to the big screen.