Can It Have Been Ten Years?
Firefly fans were pretty pleased with Serenity. Plenty of ordinary people were, too. Writer-director Joss Whedon directed this film adaptation of his own sci-fi TV series with confidence and style, giving audiences more to cheer about in space since long, long ago in a galaxy far, far away. A really good thing even today, when “reboots” of the Star Trek and Star Wars franchises leave folk like me crying, “No mas! No mas!”
When the restored “Director’s Cut” of Lawrence of Arabia played at Seattle’s legendary Cinerama theater in 1989, I was naturally at the first showing… even though it meant cutting work that afternoon. As the overture began playing to a fairly crowded house, the lights failed to come down… and the projectionist opened the curtain and unblocked the projection aperture. As the dumbfounded and confused audience looked on, timing marks on the 70mm print were projected onto the screen… and then the curtain closed. So much for the intended effect of the overture.
A Game of Inches? You Bet!
Coach Bill Courtney is a self-made man from the wrong side of the Deep-Southern tracks. He owns a specialty hardwoods factory, and knows what it means to suck it up when misfortune strikes and rise above it. But the coaching… well, he volunteers at Memphis’ Manassas High, and over the course of six years takes the Tigers from scoring maybe 36 points in an entire winless schedule to a shot at the division title, the playoffs… and maybe, even, an undefeated season.
Groundhogs Eve, Anyone?
I first saw Amy Smart in The Butterfly Effect and was blown away by her performance as a young woman traumatized by sexual abuse. I didn’t think Smart got nearly enough attention for that supporting role. So I’ve always been pleased to run across Smart in other offerings–and particularly so when Jenn and I stumbled across The 12 Dates of Christmas on Netflix several years ago. It’s now one of our holiday staples.
Have you ever taken a road trip to someplace like the Grand Canyon, or Disneyland? I’ve done both, and have discovered that the journey there can be just as much fun as the destination itself. Some movies are like that. You know exactly where the plot is going—either because you’ve seen the movie already, or one very much like it—but you don’t mind at all because the getting there is pretty darned pleasant. The Christmas Secret is that kind of movie, particularly when you’re holding a bowl of fresh-popped popcorn. It’s a Hallmark original production in which nothing very surprising happens; but heck, you’ve tuned in to Hallmark Movies and Mysteries, right? You’re there for a reason!
As the action unfolds, you never get the sense that something absolutely ridiculous (Mission: Impossible), leaden (The Expendables), or overly-kinetic (Bourne or anything Statham) is going to happen. If bad guys are gonna get taken out, it’s going to happen quick, and the SEALs are going to move on, fast. If something blows up, it’s going to happen… once, and the SEALs are going to move on, fast. If something technologically sophisticated is required, we’re going to see bits of it—it won’t be belabored and shown off—and the SEALs are going to move right along, fast.
At the crux of the plot is the same dilemma as in Steven Spielberg’s heavy-handed and polemic Saving Private Ryan: Do you show mercy to your enemies? Little’s film doesn’t treat that question in a perfunctory manner, on either end of the spectrum… though, naturally, it just isn’t possible to read this as a “shoot the bastards” tract.
What happens when a headstrong rumrunner crash-lands in the Arctic Barrens? In 2003’s The Snow Walker, this question has to be answered in the context of post-World War II technology, not with the luxury of GPS beacons and satellite phones. So when Charlie Halliday drops the last spare radio tube in his crashed single-prop, and it breaks, the answer is… a whole lot of survival training.
From Jimmy to Michael Bay, Freiburger Impresses
When I reviewed Mark Freiburger’s debut film Dog Days of Summer less than four years ago, I described it as having “the period spookiness of Something Wicked This Way Comes” with “macabre touches hinting of Tennessee Williams… and the lighter moments of Rob Reiner’s Stand By Me.” That’s pretty serious praise for an indie “faith market” film. Since then, Freiburger has worked on three other feature films—as screenwriter on The List and The Trial, both directed by Gary Wheeler, and as director on the straight-to-DVD release Jimmy. Upon the release of the film to DVD last week, I exchanged some emails with Freiburger.
Try This One
You know the drill. Frank Connor has just been released from prison, and has nowhere to go. In the absence of other ideas, he drifts back into the neighborhood and friendships that landed him in jail in the first place. Before long, he’s being pressured into doing “one last job” to clear the “debt” he owes to the goon he “let down” by getting caught. What’s Frank gonna do? There are so few options that only one is really plausible… and we can see the train wreck coming some sixty or seventy minutes away. Still, Pappy executes the story with style and grace. You probably won’t get emotionally involved in Frank’s tale, but you probably will enjoy the slow-burn ride.
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