The film deserves to be singled out on three scores, I think. First, it’s bold enough to portray spiritual disappointment in a fashion that compares favorably to seminal entertainments like Robbie Benson’s stunning turn in Death Be Not Proud. Second, I think I’ve rarely seen an inspirational film that’s designed to be more therapeutic for those left behind than those who’ve survived. And third—I’ve gotta say that this is a pretty remarkable directorial achievement for young Bradley Dorsey, who can’t be much older than 24. He knows what he’s doing with a camera, and with actors. PureFlix did the right thing in picking this low-budget indie up for distribution. I haven’t been so thrilled with some of their latest acquisitions, but this one is real find.