Archive for the 'Features' Category

The Accountant
Affleck Cooks the Books

Affleck has proven to be a legitimate three-pronged threat in the movie industry as an actor, a director, and a screenwriter. He has already taken home an Academy Award for his screenwriting and directed another movie to the top prize at the Oscars. He is actor only in his new movie, The Accountant, and as long as people don’t go in with a mind to look for reasons to dislike the movie and its star, they are going to find that what they get is a suspenseful and entertaining action thriller.

The Birth of a Nation
An Epic Story of Revolt

Having already been much talked about on the film festival circuit and after taking home both the grand jury prize and the audience award at Sundance, Nate Parker’s The Birth of a Nation seems primed for an Oscar run. In the same vein as Oscar winners like Schindler’s List and 12 Years a Slave, its subject matter is often difficult to watch, but it is an important story that needs to be told and its director has done a terrific job of telling it.

Deepwater Horizon
Reliving a Disastrous Night

In April 2010, the off-shore oil rig Deepwater Horizon exploded, leaving oil gushing from an underwater well in the Gulf of Mexico for eighty-seven days. It is considered to be the biggest oil disaster in U.S. history. While the ongoing spill and the attempts to cap it got headlines for months, what was lost in the shuffle was the horrifying experience of those working aboard the rig when it happened. The movie Deepwater Horizon is here to remedy that.

The Light Between Oceans
Doesn’t Burn Bright Enough

Based on the 2012 novel of the same name by M.L. Stedman, The Light Between Oceans is being adapted for the big screen by writer/director Derek Cianfrance, whose previous films Blue Valentine and The Place Beyond the Pines have won him some critical praise and indie cred, but have not yet broken him through with most audiences. The subject matter given to him by the novel combined with the A-list cast he has assembled makes this movie an instant Oscar contender on paper. Oscars are not won on paper, though. They are won on the silver screen and this movie does not shine quite bright enough.

Pete’s Dragon
Less Songs, More Fur

Disney has no shortage of movies in their catalogue to remake and it appears as if they plan to go through them all. The animated Jungle Book was given an update earlier this year and now Disney brings us a remake of their 1977 live-action/animated hybrid Pete’s Dragon. Director David Lowery has made it clear that the movie is not so much a remake as it is a “re-imagining.” Gone are the songs and much of the plot, but what remains is the heart of the film, a story of a young orphan boy and his friend, who just so happens to be a dragon.

Suicide Squad
Things Are Getting Messy

Inspired by characters from DC Comics and acting as the next chapter in the DC Cinematic Universe following Batman v Superman: Dawn of Justice, Suicide Squad is unique in the superhero genre in that its “heroes” are villains. The movie’s director, David Ayer, has described it as a “comic book version of The Dirty Dozen.” The concept is intriguing and the trailers certainly made it look like an entertaining romp, but unfortunately the first thought that comes to mind when watching the film is “what a mess.”

Jason Bourne
Return of the Amnesiac Spy

The first film to introduce moviegoers to the character of Jason Bourne was 2002’s The Bourne Identity, directed by Doug Liman. That movie was moderately entertaining, but the series really excelled when Paul Greengrass took over for the second and third movies in the franchise, completing a trilogy that did an excellent job of wrapping up the overarching Jason Bourne plotline that was introduced in the original. That was then, as they say, and this is now.

They Ain’t Afraid Of No Reboot

The new reboot of Ghostbusters is the second movie this year to get totally trashed by Internet commenters prior to anyone actually seeing the movie. Whereas Batman v Superman: Dawn of Justice did not do much to save its reputation upon release, Ghostbusters is likely to fare much better. Why? Principally because it is full of a crucial entertainment element that the DC Comics film just failed to provide: fun.

Big Friendly Family Fun

Author Roald Dahl published his children’s novel The BFG in 1982, the same year filmmaker Steven Spielberg released his classic film E.T. The Extra-Terrestrial. Now thirty-four years later, those two powerhouses combine for the movie version of The BFG. Spielberg is directing from a script by the late Melissa Mathison, her first produced script in nearly twenty years. Mathison, by the way, wrote the script for E.T. The Extra-Terrestrial.

Finding Dory
A Movie Worth Finding

Unless they star a toy cowboy and his space ranger pal, sequels to Pixar movies have been somewhat underwhelming. Cars 2 and Monsters University were both moderately entertaining, but neither of them came close to approximating the magic of their respective originals. Now the animation giant is revisiting one of their most beloved movies, Finding Nemo. Although it has been a full thirteen years since that movie first hit theaters in 2003, and Finding Dory may be late to the party, it is well worth the wait.

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