Archive for the 'Interviews' Category
Emotional Situations of Tremendous Gravity
Snow Angels goes into limited release next week, and will be slowly expanding across the nation over the next couple of weeks. Due to the structure of the film, it’s no spoiler to tell you that the film is a quiet, meditative examination of relationships and situations gone horribly wrong. Glenn “becomes overwhelmed by the love he has for his daughter and the frustration that he has with trying to reconnect with his wife—and the new messages that are coming to him from outside organizations,” says director David Gordon Green. “In Glenn’s head, there’s a happy ending. There’s a religious recognition, there’s a reunited love with his wife in a rock-bottom time after he’s made some really poor, tragic decisions. He says, Hi. That’s his true rebirth.”
Finding Your Inner Parent
One of the central themes of College Road Trip is the need that kids have for love and trust, a theme that had “better resonate with every parent,” says Donny Osmond, who plays one of the parents in the film. “I was watching Oprah last night, and Bill Cosby was on. It was such a great episode to wake parents up, because that’s what kids really need from their parents. It was either Bill or the guest host who said, ‘Parents, wake up!’ When you tell your kids that they’re stupid, they’ll believe it. How can they have any respect for themselves when you don’t have any respect for them?”
Counterfeiters Wins Oscar, And Yet...
Unlike Schindler’s List’s Amon Goeth, the antagonist here, Herzog, is not revealed to us through inside information. Instead, he’s fictionally based on the first-person recollections of another of the counterfeiters, Adolf Burger. So we see in Herzog a man who is “charming, friendly, always good-looking,” says Ruzowitzky: a real “manager-politician” who is fully capable of dreaming up “new, beautiful words” for extermination. And yet the only handle we get on what makes him tick is by examining his character through the lens of the prisoners themselves—and Sorowitsch, specifically. It is an approach that asks us to examine ourselves, and our country.
Ben Stein’s new project Expelled is a critical look not at the shortcomings of Darwinian theory per se, but at the ways in which the Darwinian scientific establishment is apparently seeking to suppress open dialogue about competing theories. The justification for this suppression is that competing theories are not really “scientific,” so free speech is not the issue, “academic respectability” is. But as Mr. Stein stated, “… I think we’re missing something extremely basic in our understanding of the world, and how it got created and I’d like us to return to that. And, I think, by returning to those bigger subjects of how the world got created and what our place in the world is, we will find a new moral fence which is very much lacking.”
Rocky IV’s Drago Returns
Once upon a time, Dolph Lundgren played one of cinema’s most notorious (and notoriously overplayed) villains: Ivan Drago in Rocky IV. It was a truly memorable performance, not only for Lundgren’s imposing physical presence (amplified not by his actual size, but by the contrast of his physique with that of Sylvester Stallone, who is actually on the short side). Recently, Lundgren’s career has also taken in interesting turn. Last year, he directed and starred in the straight-to-DVD Missionary Man, about a Bible-toting biker anti-hero—and he has a major supporting role in the February 19 DVD-release The Final Inquiry. Between this remarkably faith-driven role and his directorial effort with Missionary Man, it seems legitimate to ask: is Lundgren undergoing a sort of spiritual transformation of his own?
Finding Hope in Dark Places
“There’s been a lot of controversy going on in the neighborhood where the film is set,” says How She Move director Ian Rashid of Toronto’s Jane & Finch neighborhood. “Guns have been introduced into the fray, and young men have been dying. And I live in London, in a similar neighborhood, and the same things are beginning to happen—guns are being introduced for the first time, and young men are dying. And the Caribbean communities in both countries, as a result, are getting really bad press. The truth is, those stories do happen; but the majority of people are hard working, aspirational—longing for a better life and working hard to try to realize that.”
Day Zero Director Avoids the Hammer
“Intimidation is not something I think about a lot,” says the director of the upcoming independent release Day Zero. “If you’re thinking of intimidation, then you’re not going to take those first steps. If you believe in yourself, and if you believe you’ve got something to learn in the process, and if you can put it together in a way where you can bring people into a theater or cinema and say, Check this out; I think you’ll enjoy it, and I think it will maybe spark some dialogue, and maybe you’ll think a little differently or consider something that you hadn’t thought of before—that’s why you do it.”
How To Save the World?
Vischer is not expecting next week’s Veggie Tales movie to restore the purity of his ministry. “You know, it’s a story I wrote before the meltdown,” he says, “that got picked up by the new owners and put into production. Am I happy that it’s being made? Yes. Do I think that it restores Veggie Tales in some way as a pure Christian ministry again? Well, no. It doesn’t actually change anything. But it’s a story that I like, so I hope the story gets out. I have no idea what kind of impact it will have on Veggie Tales as a property; I just hope that people enjoy the film.”
What Is Life Without Magic?
“One of the things that struck me early on was the symphonic structure of the screenplay,” says Russell. “The story has the same rising and falling, and the repetition of motifs and themes. It’s a very similar structure. I don’t know if that made it easier for me, but it certainly gave me an insight into storytelling. When I set out to make a film, I go through this process where, for me, it’s important to hear the music first. By that, I mean a general sound and style. And sometimes I’ll carry with me to the set certain pieces of music that are inspiring certain images in the story… it gives me a basis for the film, if that makes any sense at all.”
Bringing Movies to Churches
“There are so many things playing into making a Christian faith-based film,” says producer David A. R. White, “because you have an audience, a marketplace, that expects certain things. So you do have to deliver those things. I have so many friends who have taken a stab at Christian, faith-based movies, and they make the movie that they want to, but they’re not making the movie for the audience. But there are extreme limitations on us about what can fit into a church while trying to reach the broadest audience we can. And we try to do that. And so we try to make a movie that tells a story, organically, but at the same time also directs people to a higher understanding of who God is and the purposes He may have for their lives.”
« Previous Page Next Page »