Enough is Enough
After going low-budget (relatively speaking) and directing one of last year’s biggest surprises, Pain & Gain, Michael Bay returns to his big-budget franchise with Transformers: Age of Extinction. The movie is technically a sequel, picking up the story four years after the events of 2011’s Transformers: Dark of the Moon, but it also has elements of a reboot. Gone are Shia Labeouf’s Sam Witwicky and the rest of the human characters from the first three movies, replaced by a whole new cast led by Mark Wahlberg. With the exception of a few holdovers, most of the robot cast is new as well, including a brand new villain.
Bringing Together Young and Old
Many thought that the original X-Men series had run its course after 2006’s X-Men: The Last Stand. Five years after that film, the series was supposedly rebooted with X-Men: First Class, which took place in the 1960s and introduced the younger versions of many of the main characters. It was an interesting new direction and an opportunity to tie the X-Men franchise in with real-life events, such as the Cuban Missile Crisis. Instead of creating a direct sequel to First Class, however, director Bryan Singer returned to the franchise and creates X-Men: Days of Future Past, which manages to feature the casts of both the reboot and the original films.
King of the Monsters, Indeed
As movie monsters go, there is one that stands out above the rest. After first appearing in the allegorical Japanese film Gojira in 1954, the character that became known as Godzilla has appeared in over thirty movies. Most of these movies have been Japanese products and for good reason: when Hollywood attempted to make a Godzilla movie in 1998, it was a laughable disaster. Under the theory that if at first you don’t succeed, try, try again, Hollywood is back with another stab at the legendary movie monster. Does this Godzilla have what it takes to succeed? The answer is a resounding yes.
Agent of Distraction
Following their success with Remember the Titans in 2000, Disney began releasing based-on-true-events inspirational sports dramas every couple of years. For the most part, these movies have been consistently entertaining and successful with Titans and Miracle being arguably the cream of the crop. As entertaining as they are, however, by following virtually the same formula with every movie, they are feeling less and less fresh with each new outing. That is very apparent in their latest film, Million Dollar Arm, a moderately entertaining effort that hits a little too many clichés on its way around the bases.
Mucks up the Works
If Transcendence looks like a movie made by Christopher Nolan, it is because the movie is the directorial debut of Wally Pfister, who photographed every movie Nolan has made since Memento. The movie also features a sci-fi heavy premise that sounds a bit like Inception, only replacing dreams with artificial intelligence. Unfortunately, whereas Inception truly felt like it was something new and exciting, Transcendence pulls too many punches to truly be measured in the same category as Nolan’s film.