Mucks up the Works
If Transcendence looks like a movie made by Christopher Nolan, it is because the movie is the directorial debut of Wally Pfister, who photographed every movie Nolan has made since Memento. The movie also features a sci-fi heavy premise that sounds a bit like Inception, only replacing dreams with artificial intelligence. Unfortunately, whereas Inception truly felt like it was something new and exciting, Transcendence pulls too many punches to truly be measured in the same category as Nolan’s film.
The new comedy Bad Words certainly lives up to its name. If you go to this movie expecting a family-friendly movie about kids’ spelling bees, then you will be in for quite a shock. Hopefully, the fact that the poster is nothing but a close-up of star Jason Bateman’s mouth clearly forming the f-bomb will help more sensitive moviegoers steer clear. For those who aren’t turned off by offensive language and raunchy comedy, though, Bad Words is exactly what you hope it would be.
It seems that ever since Twilight did so well at the box-office when it was released in 2008 that movie studios are cranking out another young adult book adaptation every couple of months. With the exception of The Hunger Games, though, none of these other potential franchises have really taken off. Enter the latest contender, Divergent, based on the novel by Veronica Roth. With a rising young star in Shailene Woodley in the lead role of Beatrice ‘Tris’ Prior, the hype for this movie has been growing.
Angels & Demons
Winter’s Tale is being released on Valentine’s Day, but although the story does revolve around a love story, the movie feels more like a film that would come out around Christmas time. After all, angels and miracles are Christmas movie staples and they play a major role in this time-traveling fantasy. The movie just presents us with a world in which angels and demons walk among us without ever feeling the need to explain itself. In that sense, the movie is somewhat refreshing.
Better Effects, Less Fun
The first thing fans might notice about the 2014 RoboCop reboot is that it seems to be missing something that was prevalent in the 1987 original: blood. Whereas the original film made no effort to hold back on the violence, the new film aims for a broader audience with a PG-13 rating. What it lacks in blood and violence it tries to make up for with a topical political agenda, addressing the ideas of drone use and automated law enforcement in our modern society with a look at a possible near future.