The World of Yesterday’s Future
In 2003, Disney struck it big when they turned one of their amusement park attractions, “Pirates of the Caribbean”, into a multi-million dollar movie franchise. If a movie based on a single attraction could be so successful, imagine what a movie based on an entire section of Disneyland might do! That might not have exactly been the thinking that led to the new movie Tomorrowland, but the movie is nevertheless the Disney Company’s newest attempt to turn part of their theme park into a movie franchise. The hope, of course, is that the movie turns out to be more Pirates of the Caribbean and less Haunted Mansion.
Crazy Stunt Show
The newest reboot/follow-up/sequel to come out of Hollywood’s current everything-old-is-new-again trend is Mad Max: Fury Road. It has been thirty years since the character made famous by Mel Gibson has graced the silver screen and although Gibson is absent from the latest version, director George Miller is back in the driver’s seat. With Miller in place and Tom Hardy stepping in for Gibson, the Mad Max franchise is back in a big way.
An Action Extravaganza
Prior to the release of Joss Whedon’s The Avengers in 2012, there was some skepticism as to whether a comic book adventure featuring a team up of so many different superheroes could actually work. No one had ever really attempted such a project before and some of the biggest complaints about previous superhero films that failed were that they tried too hard to shoehorn multiple characters into one movie. Just think about Spider-Man 3. Whedon pulled it off, though, and The Avengers became a Hulk-sized smash. As a result, its sequel, Avengers: Age of Ultron, hasn’t faced much skepticism, but it has been challenged with some ridiculously high expectations.
The thing about a fantasy is that it is by definition unreal and fantastic; it doesn’t need to be grounded in reality. The Age of Adaline is a romantic fantasy about a woman who does not age, and the potential is there for it to be a classic movie fantasy—the kind of movie that allows the audience to escape from the restrictions of reality and just get swept away in the story and its characters. Unfortunately, even while providing us with some magical visuals, the creators of the movie keep trying to ground their movie in reality, making it difficult for the audience to willing suspend their disbelief.
Let the Young Ones In
In director Noah Baumbach’s latest, While We’re Young, Ben Stiller and Naomi Watts play a 40-something married couple stuck in something of a rut. After a couple of failed pregnancies, they are both pretty sure that they will be able to be happy without having kids, but this perception gets more and more challenged as their friends start having children and drifting away. Stiller’s Josh is a documentary filmmaker who is currently in his tenth year working on the same project, so he’s also in a professional rut. They need something new injected into their lives. Enter Jamie and Darby.